A Guide to the Afrofuturist House Music of Dirty Bird

Article by James Gui posted in bandcamp

“In 1996, filmmaker John Akomfrah created the character of the Data Thief as a narrative device to offer an insightful study of Afrofuturism in his film The Last Angel of History, which links Black musicians including George Clinton, Derrick May, and Sun Ra to Akomfrah’s thesis about the role of technological fantasy in Black artistry across genres and mediums. In 2019, another Data Thief—this one named Dirty Bird—travelled here from Mars, releasing a potent house album called A/V Club. Dirty Bird—a self-described noise machine, digital pirate, and technomancer—embodies the spirit of Akomfrah’s Data Thief in both his music and his persona, acting as a connector for different elements of Black dance music history.”

Source: https://daily.bandcamp.com/lists/dirty-bird-list

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